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손신욱 박사는 문화체육관광부 산하 한국문화관광연구원 부연구위원으로 재직 중이며, 관광정책, 축제산업, 그리고 MICE(국제회의·전시산업) 전략을 주요 연구 분야로 하고 있다.
경희대학교에서 컨벤션전시경영 박사학위를 취득하였으며, 문화체육관광부의 다수 정책 연구를 수행했습니다. 주요 연구로는 「문화관광축제의 산업화 촉진을 위한 정책 지원방안」, 「글로벌 축제 육성 방안 연구」가 있다.
그의 연구는 축제를 포함한 문화관광정책의 공공적 가치와 지속가능한 발전에 초점을 두고 있으며, 지역 발전과 관광산업 간의 연계를 모색하고 있다.
손 박사는 국내외 학술대회 및 정책 포럼에서 활발히 발표하며, 한국의 축제 및 관광정책 발전에 기여하고 있다.

Mr. Ashwin Gunasekeran is a tourism industry veteran with over 20 years of experience and the Chief Executive Officer of the Penang Convention & Exhibition Bureau (PCEB). Born and raised in Penang, he holds a Bachelor’s in International Hotel Management and a Master’s in International Tourism from IMI University Luzern, Switzerland.
Ashwin began his career with the Penang Tourism Action Council (2003–2010) before moving into the private sector, including roles in hotels and corporate organisations.
He later served as Assistant Vice President of Group Sales & Marketing at Destination Resorts and Hotels.

In 2016, the Penang State Government appointed Ashwin to establish PCEB, where he has since spearheaded initiatives positioning Penang as a premier hub for business events, securing numerous high profile international bids.

During the pandemic, he led the Business Events Penang Task Force, through which Penang became the first state in Malaysia to publish the “Next Normal Guidelines for Business Events Penang.” Ashwin has served as Deputy Chair of ICCA Malaysia (2017–2018) and ICCA Asia Pacific Chair (2020–2022), contributing significantly to the global business events community.

Over the years, he has received multiple international leadership awards for his contributions to the industry.

이용열은 배재대학교 축제이벤트경영학 석사학위를 받았으며 현재 박사과정에 있고, 2012년부터 보령축제관광재단에서 축제관광국장을 거쳐 현재 대표이사로 재직 중이다. 보령머드축제를 포함한 보령시 사계절 대표축제를 담당하며 지역관광활성화를 위해 노력 중이며 이외에도 보령머드화장품사업, 보령컨벤션센터 운영 등을 총괄 담당하고 있다.

대중문화평론가이자 칼럼니스트.
MBC시청자평가원, JTBC시청자 위원을 역임했고 백상예술대상, 대한민국 예술상 심사위원이다.
저서로 <드라마 속 대사 한 마디가 가슴을 후벼팔 때가 있다>, <다큐처럼 일하고 예능처럼 신나게> 등이 있다.

강원도 삼척시 도계읍 출신의 김신철은 강원대학교 컴퓨터공학과 재학 시절, 프로그래밍 학술 동아리에서 두각을 나타내며 이름을 알렸다. 영상 분석 관련 프로그램을 개발하던 중, 개발에 필요한 영상을 직접 제작하다가 자연스럽게 단편 영화를 연출하게 되었고, 이후 상업 영화 미스터 주부 퀴즈왕을 통해 영화계에 첫발을 내디뎠다.

이후 영화 아바타를 계기로 VFX 업계에 진출하였으며, 당시 대부분의 작업이 수작업으로 이루어지는 현장을 경험하며 자동화의 필요성을 절감하였다. 이에 직접 자동화 프로그램을 개발해 특허를 출원하고 현업에서 활약하였으며, 점차 기술적인 개발보다는 영상의 연출과 비전 구현에 더 큰 관심을 가지게 되었다. 현재는 VFX 슈퍼바이저로서 프로젝트의 전반적인 시각 효과 연출을 총괄하며 활동 중이다.

홍익대학교 섬유미술패션디자인과 졸업 후 VFX 업계에서 13년간 일하고 있으며 VFX Supervisor 로서는 8년째이다.
현재 WESTWORLD 에서 VFX supervisor 로서 영화 또는 드라마 프로젝트 Pre production 단계에서부터 Post production 까지 전반적인 VFX 작업에 대한 관리감독을 하고 있고, 참여 작품은 닥터 브레인, 밀수, 이상한 변호사 우영우, 연애대전, 천박사, 좀비딸 등이 있다

산업 디자인을 기반으로 한 게임 및 영화·드라마 VFX 콘셉트 디자이너로서의 20여년간의 경력을 바탕으로, (주)웨스트월드 산하 창작연구소(한국콘텐츠진흥원 인증)를 설립하여 현재 연구소장으로 재직 중인 VFX 아트디렉터이자 AI 영화감독. 차세대 창작 기술과 콘텐츠 개발을 선도하고 있다.

판도라(2016), 부산행(2016), 도깨비(2016), 군함도(2017), 안시성(2018), 미스터 션샤인(2018), 엑시트(2019), 사바하(2019), 스위트홈 시즌1(2020), 이태원 클라쓰(2020), 고요의 바다(2021), 지금 우리 학교는(2022), 더 글로리(2022), 밀수(2023), 택배기사(2023), 파묘(2024), 베테랑 2(2024), 눈물의 여왕(2024), 좀비 딸(2025), Friends(AI 단편 애니메이션 2025), 다 이루어질지니(2025)

Rizky Octavianus is the Founder and CEO of Machipot Cosplay Indonesia, a company at the forefront of the nation's cosplay industry. Through their intellectual property, the Indonesia Cosplay League, Machipot has established a national level competition with more than 10 cities participants. This initiative has been instrumental in showcasing Indonesian talent on the global stage, with participants successfully competing in prestigious international events such as the Gyeonggi International Cosplay Festival (South Korea), the Best All-Star Cosplay Competition Thailand Game Show (Thailand), and the Asia Cosplay Meet & Singapore Comic Con Cosplay Competition (Singapore).

Since 2006, Machipot has demonstrated a consistent record of national and international achievements. A notable highlight is the Grand Champion title at the Cosplay de Umigomi Zero Awards 2020, a competition featuring participants from 23 countries. This victory was earned by leading a successful environmental initiative where cosplayers cleaned up plastic waste on Jakarta’s main streets and exchanged plastic bags for recycled alternatives during public events like Car-Free Day.

Machipot Cosplay Indonesia continues to support the growth of the local cosplay ecosystem by collaborating with government, agencies, and brands. These partnerships are designed to increase public acceptance of cosplay, transforming it from a niche form of entertainment into a viable and profitable industry. Additionally, through a partnership with the Fanmate platform, create seamless fan engagement and monetizes content for cosplayers, streamlining transactions and content distribution.

Rizki Karismana, also known as “Zhuge Kamiya,” is one of Indonesia’s most respected and long-standing cosplayers, with over 15 years of experience in the cosplay scene. He became widely recognized in 2012 as the first Indonesian representative and 3rd place winner at the World Cosplay Summit (WCS), performing as Griffon from Patlabor: The Mobile Police. Since then, he has frequently been invited as a judge for cosplay competitions in cities across Indonesia.

In 2017, Zhuge represented Indonesia at Pop Culture Hiroshima, further strengthening cultural ties through cosplay exchange. He has also played a vital role in shaping the national cosplay community. Beyond being a performer and judge, he has contributed as an organizer, driving the success of CLAS:H, Festival Ennichisai, and WCS Indonesia Preliminary from 2013 to 2019. Currently, together with Machipot Indonesia and Hubert+, he is developing the Indonesia Cosplay League as an international-standard competition, while also building COS.IN as a platform for non-competitive cosplayers and launching the Jakarta International Cosplay Championship.

Beyond cosplay, Zhuge founded Zhuge Kreatif Indonesia, focusing on cultural collaboration between Jakarta and Japan. He also co-founded the Indonesian Japan Cultural Association together with other Japanese culture practitioners in Jakarta and initiated the Djakarta Ennichi festival with support from the Provincial Government of DKI Jakarta, celebrating Japanese culture in Indonesia. Through his work, Zhuge continues to share knowledge on cosplay techniques, judging standards, and performance art, inspiring new generations of cosplayers and cultural practitioners.

Hosted by <Hong Kong Asia-Pacific Cosplay Carnival>
Japan <Pop Culture Hiroshima> Hong Kong representative
Hosted by <Hong Kong Pop Culture Hiroshima>
Hosted by <Hong Kong GICOF>
South Korea <GICOF> Judges
Hosted by Hong Kong <Canvas Project>
Hosted by Hong Kong <Culture Polygon>
Hosted by Hong Kong <Sub Culture Xpo>
Japan <World Cosplay Summit> Judges
Hong Kong <World Cosplay Summit> Hong Kong District Judges
Hong Kong <ACGHK> Cosplay Competition Judges
<Shenzhen Dawan District> Animation and Play Festival Hosted
<Saudi Arabia World Cosplay Summit> Hong Kong Representative
Japan Tokyo Game Show-Cosplay Collection Night Hong Kong Representative
<Japan Otaku Summit> Hong Kong Representative
TSCC Hong Kong Representative
<Shenzhen Game Exhibition> Performance Guest
<Petit Fancy> Special Guest
<Hong Kong and Macau ACG Animation Game Exhibition> Performance Guest
Vietnam Spring Days Performance Guest
Indonesia CLAS:H guest performer
<Play Station> activities in Hong Kong Cosplay Costume Director
<Super Hero Expo in Hong Kong>Toei Official Stuntman
<Game One> Cosplay Costume Director
Kadokawa> Hong Kong Event Costume Director

A seasoned cosplayer turned event organizer, she now serves as one of the directors of Cosplay.ph,
one of the Philippines’ leading platforms for cosplay and pop-culture events.
With years of experience both onstage and behind the scenes, she brings a rare blend of creative flair and operational precision to every project she touches.

With roots in cosplay and a sharp instinct for events, she’s now one of the driving forces at Cosplay.ph.
She specializes in translating creative vision into operational success, with a focus on immersive fan experiences.

Her contributions may not always be front and center, but they’re woven into the fabric of events and communities that continue to evolve with care and creativity.
Driven by passion and grounded in purpose, she remains one of the visionaries in making cosplay culture more vibrant, welcoming, and unforgettable.

Dr.Hana, Nahanamei (Hsuan Lo) received a Master’s degree in Performing Arts from the National Taiwan University of Arts, where she conducted research on cosplay culture and audience interaction.
She has more than 25 years of experience in cosplay and stage performance, establishing herself as both a researcher and practitioner in the field.
She was awarded 3rd place in the Taiwan preliminaries of the World Cosplay Summit (WCS) 2023 and has been invited as an international judge and guest performer in Australia, Hong Kong, the Philippines, Vietnam, and Thailand.
In Taiwan, she has played a central role in organizing and hosting major anime and cosplay events, including CWT, the International Comic Exhibition, the Taipei International Comics & Animation Festival, the Taipei New Year’s Eve
Anime Stage, and the first ACOSTA Taiwan.
Currently, she serves as the lead vocalist of the independent band Ring: Vow’s Echo, integrating original music with cosplay stages to create innovative cross-genre performances.
With her combined expertise in academic research, event curation, and international performance, Dr.Hana has contributed to the development and global recognition of Taiwan’s cosplay and anime culture.

Karan Nititham is a visionary event organizer and cultural ambassador in the ACGN (Anime, Comic, Game, and Novel) community, best known as the founder of MARUYA, one of Thailand’s most prominent cosplay and pop culture events.
With a strong passion for Japanese pop culture and its influence across Asia, he has dedicated over a decade to building creative platforms where fans, cosplayers, and creators can connect, express themselves, and showcase their talents.

Through MARUYA, Karan has fostered a vibrant community that bridges Thai and international pop culture networks.
His work has extended beyond Thailand, as he actively represents the country in major ACGN conventions and summits across Asia.
By organizing collaborations with creators, cosplayers, and industry professionals, he has helped introduce Thailand’s unique cultural identity into the global cosplay scene.

Karan’s vision emphasizes not only entertainment but also youth development, cultural exchange, and creative entrepreneurship.
Under his leadership, MARUYA has become a trusted platform for international collaboration, enabling Thai talents to appear on global stages and welcoming international creators to Thailand.
With upcoming appearances at conventions in Hong Kong, Korea, Japan, and Malaysia, Karan continues to strengthen cultural connections through the shared language of creativity.

Dosai Tadaaki works with the World Cosplay Summit and the Vantan Cosplay Club, pioneering the future of cosplay performance.
His craft spans every element of the stage—from costume creation and acting to directing, lighting, and music—all honed through hands-on experience in professional settings.
Over the years, Dosai Tadaaki has directed three World Cosplay Champion teams and brings his vision to life through 20–30 performances each year, pushing the boundaries of what cosplay can be.